Welcome to Beyond the Zeitgeist

August 5, 2011

Zeitgeist: The spirit of the present time.

Simply by being, you embody it—until the zeitgeist moves on, and you find yourself wired into previous versions.

Unless all zeitgeists continue to flow, separate currents in the same stream, so that anyone can swim in any one at will. In that case, welcome to this one.

Signe Hammer

Sole Author of All Posts on This Site

Teddy Roosevelt Had Donald Trump’s Number

August 28, 2016

President_T. Roosevelt_-_Pach_Bros President Theodore Roosevelt

“Of all corruption, the most far-reaching for evil is that which hides itself behind the mask of furious demagoguery, seeking to arouse and to pander to the basest passions of mankind.”

Donald_Trump_August_19,_2015_(cropped) Wannabe President Donald Trump

TR disliked windbags, fakers, demagogues and phonies in general. His Trump was William Jennings Bryan–politician, famous orator, later infamous for the Scopes Trial–who in 1908, Roosevelt’s last year in office, was running for President against William Howard Taft, Roosevelt’s hand-picked successor. In a long letter, TR told Bryan what he thought of him. (Cited in The Wilderness Warrior: Theodore Roosevelt and the Crusade for America, by Douglas Brinkley.) (Trump photo credit Michael Vadon.)

The Voice in Your Ear

August 19, 2016

Why does the voice in your ear seem so much more intimate than the image in your eye?

Partly, we’re conditioned to it: someone leans in and whispers in your ear: it’s secret; confidential.

I’ve been FaceTiming regularly with a friend; our conversations have been intimate. I enjoy seeing my friend leaning forward in the FaceTime frame on my laptop screen, listening intently or speaking. But one day when my friend’s FaceTime wasn’t working and we spoke on the phone, my friend’s voice alone, coming directly into my ear, felt infinitely more intimate.

1939 Brit soldier & girlfriend

The same thing happened with a livestream of The Encounter—a play collaboratively developed by the British theater company Complicite, directed and performed by its artistic director, Simon McBurney—from the Barbican Theater, London. Coming soon to Broadway, The Encounter—two hours of one man on a bare but cluttered stage—involves you in an elaborate soundscape that, if you let it, completely enmeshes you with the voice in your ear. Read the rest of this entry »

Democracy vs. Theocracy: the Kentucky Marriage License Contretemps

September 6, 2015

What’s really at stake when a Kentucky county clerk cites “God’s authority” for her refusal to issue marriage licenses to gay couples—putting that authority above the Constitution, the Supreme Court’s order and her own sworn oath to uphold the laws of the state of Kentucky—and is willing to go to jail for her stand?

It’s striking that ordinary people on both sides of the issue apparently have no idea. Nor do Rand Paul or Ted Cruz—who, as U.S. Senators and Presidential candidates, ought to know better.

The clerk, Kim Davis, and her supporters see it as a First Amendment issue: according to a fellow clerk, “a lot of people … died for that right, and I think we should we able to exercise it.” Rand Paul says it’s “absurd to put someone in jail for exercising their religious liberties.” Ted Cruz asks “every Believer, every Constitutionalist, every lover of liberty to stand with Kim Davis.”

Religious_Freedom_3c_1957_issue

But the First Amendment only guarantees your right to hold your personal religious beliefs and personally express them; it doesn’t guarantee your right to impose your beliefs on others. As an elected, sworn civil servant, the clerk is obliged to carry out the law—in this case, by issuing marriage licenses to all qualified applicants, including gay ones.

On the other side, according to the New York Times, “Ms. Davis’s critics, many of whom appeared to be in their 20s and 30s, argued that she personified a dated approach to marriage.” Also, as one said, “Christianity … supports love in all ways, so it seems kind of contradictory that they’re out here … discriminating.”

But this case has no more to do with progress, love, or discrimination than it does with the exercise of personal First Amendment rights. It’s about the rule of civil law in a democracy.

No less a founding father than Thomas Jefferson wrote, in the Virginia Statute for Religious Freedom, the words that have been used to set legal precedent in this area: while it would be a “dangerous fallacy” for the state to “restrain the profession or propagation of principles,” it is time for the state “to interfere when principles break out into overt acts against peace and good order.”

Or, as Judge David L. Bunning of Federal District Court, who has ruled three times against Davis’s position, put it: “If you give people the opportunity to choose which orders they follow, that’s what potentially causes problems.”

In this case, “peace and good order” means issuing licenses as the law directs; the “problems” caused by refusing to do so amount, essentially, to anarchy. And if we held the “authority of God” above that of the Constitution, we’d be living in a theocracy, not a democracy.

Since Ms. Davis refuses either to comply or resign, the law, in the form of Judge Bunning, has sent her to jail. That may make her a martyr to all those Christians who seem to think they’d rather live in a theocracy. To them, I would say, take a good look at theocracy in action: the Islamic State.

The Elephant in Our (History) Room

July 25, 2014

Maybe the only way history becomes meaningful to anyone is when it illuminates your own experience, and vice versa. As a white person who was around for the Civil Rights Movement and played a very small role in it, I thought I understood something about the realities of our bloody history.

There was, of course, the one great peaceful moment: the 1963 March on Washington. I rode down from Boston overnight in the vast cavalcade of buses streaming south to hear Martin Luther King’s “I Have a Dream” speech.

March on Washington, 1963

March on Washington, 1963

The following year, I picketed the Boston School Committee over segregation and was escorted to safety when Southies arrived in force. I was acutely aware of the violence faced by the people my own age who went down to Mississippi for Freedom Summer, from fire hoses and police dogs to murders and bombings. (The guy who pulled me off the Boston picket line had just returned from Mississippi.)

All of which counts for nothing. In fact, I understood very little either of the realities of the black experience in America or of the extent to which the violence of racism has shaped and warped us and our culture. Two excellent, compulsively readable books have made that plain: Ecstatic Nation: Confidence, Crisis, and Compromise, 1848-1877 by Brenda Wineapple (2013),

Ecstatic Nation

and The Warmth Of Other Suns: The Epic Story of America’s Great Migration by Isabel Wilkerson (2010).

The Warmth of Other Suns

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Day of the Dead in San Miguel de Allende I

November 3, 2013

It Goes Back a Long Way

The dead are always with us, and in Mexico on the Day of the Dead they are invited to enjoy the ofrendas, or offerings—of food, photos, favorite objects—that the living set out for them. Under the portales that flank San Miguel’s Jardin Principal, the living and the dead may eat in close proximity:

DoD1_1

The Day of the Dead descends from the great cultures of Mesoamerica— Olmec, Maya, Zapotec, Teotihuacan, Toltec, Mixtec, Aztec—spiritual ancestors, masters of death and life:

Dod1_2 Read on

Fall for Dance, Indoors and Out

September 28, 2013

It’s hard to give focus to ensemble work.  City Center’s annual Fall for Dance series generally showcases newer work, but In the first two programs—one outdoors, one in—an older work showed us how it’s done. Indoors, it was the duets that focused our attention.

On Wednesday, September 25, in the first indoor program (repeated on the 26th), the duets—ballet and tango—were book-ended by two companies presenting very different modern-dance ensemble works—one, ballet-inflected, to ragtime; the other, old-fashioned, literal-minded romanticism.

Boys Playing Music_Luca Della Robbia_FlorenceLuca Della Robbia, Boys Playing Music

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Fashion Trumps Dance: NYC Ballet Fall Gala

September 22, 2013

There were two choreographers represented at New York City Ballet’s Fall Gala Thursday night: Justin Peck and George Balanchine. The rest was all smoke and mirrors—and fashion.

The intermissionless, hour-and-three-quarters program consisted of three premieres, by Peck, Benjamin Millepied and Angelin Preljocaj, followed by the last two sections of Balanchine’s Western Symphony, which premiered in 1954 and still has more to offer than the Preljocaj or Millepied. Only one of the premieres, the Preljocaj, will be seen again this season. Would that it were the Peck instead!l

Pas-de-QuatrePas-de-Quatre: Carlotta Grisi, Marie Taglioni, Lucile Grahn, Fanny Cerito

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Ai Weiwei, Stasiland and the Persistence of the Police State

September 6, 2012

Ai Weiwei: Never Sorry is the story of a world-famous artist who provoked the Chinese police state and, so far, seems to be getting away with it—if you don’t count being slugged by a Sichuan policeman in 2009 and almost dying of a subdural hematoma, being arrested in 2011 and held for 81 days and, now, being forbidden to leave the country and liable for a fine of almost $2 million for alleged tax evasion. His provocation: leading an effort to document and publicize the deaths of more than 5,000 schoolchildren, buried or crushed when their poorly constructed schools collapsed in the 2008 Sichuan earthquake. And, on top of that, first demanding an investigation of the Sichuan police slugging and then suing. Plus photographing, filming and tweeting everything that happened to him along the way.

We see him, strong and confident, at his huge Beijing studio / residence, overseeing the production of his work, organizing the investigation of the student deaths. We see heartbreaking photographs of fields of small backpacks, dirty, torn open, their contents spilling out—all that’s left of the children who wore them to school that day. Read on

Me and My Bionic Shoulder at Two Months

August 24, 2011

I last weighed in on my new, titanium-and-polyethylene left shoulder on July 2, just 10 days post-op. A lot has changed since then. For anyone interested, following is a rough diary of my post-op progress:

2 Weeks Post-Op

On July 6, I start 3 months of twice-a-week physical therapy (PT) at a facility at the Hospital for Special Surgery, where I had the surgery. It’s an easy bus ride from my apartment, and the physical therapist follows my surgeon’s protocol. Most of the other patients are in my demographic or older, but there are some young people too. Everyone is serious, focusing on their therapist’s directions; there’s little banter. (Sports-related injuries are handled at a different facility, across the street; here it’s all post-op.)

I don’t do my home PT exercises daily, but since I’m allowed not to wear my sling at home (apparently not everyone gets this privilege), I’m using the left arm as much as it can handle (e.g., no heavy lifting, but I can do laundry [goody], make the bed and pick up a plate or mug ). Serious apartment-cleaning is beyond me; a friend has kindly given me a session with her cleaning lady so my apartment doesn’t become totally rancid.

I do wear the sling whenever I go out, to support my arm and, hopefully, warn people to steer clear of my shoulder. Seems to work. It also generates a certain amount of sympathy: I’ve had total strangers stop and say, “I hope you recover soon.” Read more

What’s What with a Bionic Shoulder?

August 24, 2011

Some friends I saw a couple of weeks after my shoulder replacement wanted to know what part of my shoulder was “me.” I realized that we’re all pretty hazy about anatomy. For instance, who knew that the shoulder joint is part of the shoulder blade (scapula), not the collarbone (clavicle), which is the bone from which we hang our tote bags, briefcases and pocketbooks?

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